By the time Guy disembarks from the train, he has unwittingly entered into a deal with the devil, and his life almost immediately begins to unravel. It was shot in the autumn of 1950 and released by Warner Bros. on June 30, 1951, starring Farley Granger, Ruth Roman, and Robert Walker . So Hitchcock had an oversized phone constructed and placed in the foreground. Bruno knows about Guy well from reading gossip papers. [19] Hitchcock preferred the writing credit of Whitfield Cook and Czenzi Ormonde, but Warner Bros. wanted the cachet of the Chandler name and insisted it stay on. When he reaches his destination, Guy bids goodbye to Bruno, thinking nothing more of the affable but rather curious young man's homicidal theories. [7] The director found her "bristling" and "lacking in sex appeal" and said that she had been "foisted upon him. "[59], Conversely, Bosley Crowther of The New York Times criticized the film: "Mr. Hitchcock again is tossing a crazy murder story in the air and trying to con us into thinking that it will stand up without support. "[50], Bruno tells Guy early on that he admires him: "I certainly admire people who do things", he says. whose conversation shows a detailed knowledge of Guy's private life. Strangers on a Train: A Hitchcock Classic (SD; 36:44) is a nice overview with Peter Bogdanovich and several others discussing . As Bruno dies, his fingers unclench to reveal Guy's lighter in his hand. One is tennis star Guy Hianes (Farley Granger) who is in the process of divorcing his unfaithful wife and the other is Bruno Antony, (Robert Walker) the psychopath son of a wealthy man who hates. The film initially received mixed reviews but has since been regarded much more favorably. "[13], Even before sewing up the rights for the novel, Hitchcock's mind was whirling with ideas about how to adapt it for the screen. "Hitchcock told me that this scene was the most personally frightening moment for him in any of his films", writes biographer Charlotte Chandler. The psychopath suggests that because they each want to "get rid" of someone, they should "exchange" murders, and that way neither will be caught. [70], Strangers on a Train was adapted for the radio program Lux Radio Theatre on two occasions: on December 3, 1951, with Ruth Roman, Frank Lovejoy, and Ray Milland, and on April 12, 1954, with Virginia Mayo, Dana Andrews, and Robert Cummings.[44]. Talented Mr. Ripley," made into a 1999 movie in which her criminal hero Disc1 contains the movie in a good looking & sounding print with optional subtitles + French & Italian language versions and has a very good,entertaining commentary with various people talking about the film, book and much else, with the highlight for 'Hitchophiles' being interview segments of director & Hitchcock biographer Peter Bogdanovich questioning the man himself. He is seen carrying a double bass as he climbs onto a train. Guy is offended by allowed an aging actress to manipulate him in "Sunset Boulevard"). helps explain how Bruno could come so close to carrying out his plan. Strangers on a Train movie clips: http://j.mp/1yz9FQeBUY THE MOVIE: http://j.mp/UinqkeDon't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6prCLIP DESCRIPTION:Guy (Farley Granger) notices a sinister face watching him from the crowd.FILM DESCRIPTION:In one of Alfred Hitchcock's suspense classics, tennis pro Guy Haines (Farley Granger) chances to meet wealthy wastrel Bruno Anthony (Robert Walker) on a train. As Guy listens with detached amusement, Bruno discusses the theory of \"exchange murders.\" Suppose that Bruno were to murder Guy's wife, and Guy in exchange were to kill Bruno's father? Burks was an exceptionally apt choice for what would prove to be Hitchcock's most Germanic film in years: the compositions dense, the lighting almost surreal, the optical effects demanding. According to Bruno, it's all to be read in the newspapers, especially the gossip concerning Guy's relationship with the daughter of a United States senator, and the ongoing drama with Guy's soon-to-be ex-wife, a good-time gal who's pregnant with another man's child. "[47], Guy and Bruno are in some ways doubles, but in many more ways, they are opposites. "[4], Warner Bros. wanted their own stars, already under contract, cast wherever possible. The creepiness factor holds up very well. Reviewed in the United Kingdom on July 30, 2017, Reviewed in the United Kingdom on January 26, 2016. Guy is suspended between tennis and politics, between his tramp wife and his senator's daughter, and Bruno is seeking desperately to establish an identity through violent, outr actions and flamboyance (shoes, lobster-patterned tie, name proclaimed to the world on his tiepin). there would be no possible connection between killer and victim. [41] He was also photographed adding the letter L to Strangers on the official studio poster for the film,[26] thus changing the word to Stranglers. Bruno is standing behind an iron gate, the bars casting symbolic shadows on his Hitchcock, promotionally photographed many times over the years strangling various actresses and other women some one-handed, others two found himself in front of a camera with his fingers around the neck of a bust of daughter Patricia;[26] the photo found its way into newspapers nationwide. Guy wants a divorce from his cheating wife, Miriam (Kasey Rogers), in order to marry Anne Morton (Ruth Roman), the daughter of a U.S. senator. [44] Of greater interest to Warner was the box office take, and the "receipts soon told the true story: Strangers on a Train was a success, and Hitchcock was pronounced at the top of his form as master of the dark, melodramatic suspense thriller. My mum had said this was a great film, and she was right. Highsmith was a chameleon, a renegade, an experimenter, a loner, and a fantastically brave innovator. What is the streaming release date of Strangers on a Train (1951) in Canada? "[60] Leslie Halliwell felt that Hitchcock was "at his best" and that the film "makes superior suspense entertainment," but called the story "unsatisfactory. With his new writer, he wanted to start from square one: At their first conference, Hitchcock made a show of pinching his nose, then holding up Chandler's draft with his thumb and forefinger and dropping it into a wastebasket. "[8] None was more demanding than Bruno's strangulation of Miriam, shown reflected in her eyeglass lens: "It was the kind of shot Hitchcock had been tinkering with for twenty yearsand Robert Burks captured it magnificently. Reviewed in the United Kingdom on September 7, 2015, Reviewed in the United Kingdom on February 24, 2021, Reviewed in the United Kingdom on May 21, 2021, Learn more how customers reviews work on Amazon, Closed-captioned, NTSC, Full Screen, Black & White, English (Dolby Digital 1.0), Unqualified (DTS ES 6.1), French (Dolby Digital 1.0), Leo G. Carroll, Farley Granger, Hitchcock, Patricia, Lorne, Marion, Roman, Ruth. That combination came in the first Strangers On A Train is about two men, Guy Haines and Bruno Anthony, who meet on a train by accidentally knocking shoes. Next shot. [46], Hitchcock carries the theme into his editing, crosscutting between Guy and Bruno with words and gestures: one asks the time and the other, miles away, looks at his watch; one says in anger "I could strangle her!" Although Hitchcock Bruno wants to kill his father, but knows he will be caught because he has a motive. With no known link between the two men, the police would be none the wiser, would they? In the casting of Anne Morton, Jack L. Warner got what he wanted when he assigned Ruth Roman to the project, over Hitchcock's objections. "[8] Perhaps it was the circumstances of her forced casting, but Roman became the target of Hitchcock's scorn throughout the production. either of the actors, Walker's Bruno has been called one of Hitchcock's best Haines, a famous tennis player, is recognized on a train by Bruno Anthony, Guy and Anne coldly walk away from him. The Patricia, as the outspoken young Barbara Morton, kid sister of Guy's fiance To add the following enhancements to your purchase, choose a different seller. and the other, far distant, makes a choking gesture. "seductiveness" in the American print. With an emphasis on narrative and visual strategy, Hitchcock controls the escalating tension with a master's flair for cinematic design, and the plot (coscripted by Raymond Chandler) is so tightly constructed that you'll be white-knuckled even after multiple viewings. famous sequences in "Strangers on a Train." conversation -- which ends on an ambiguous note, with Bruno trying to get Guy A very good choice for train food. [28] Anne reaches for the big phone, but actually answers a regular one: "I did that on one take", Hitchcock explained, "by moving in on Anne so that the big phone went out of the frame as she reached for it. Roman's role as a nice, understanding girl is a switch for her, and she makes it warmly effective. The psychological game that Bruno plays on Guy is to force him to kill Bruno's over-bearing father. "[46] It undergirds the whole film because it finally serves to associate the world of light, order, and vitality with the world of darkness, chaos, lunacy and death. Leopold-Loeb case; it was another story about a murder pact with a homosexual A psychopath forces a tennis star to comply with his theory that two strangers can get away with murder. [4] Hitchcock said that he originally wanted William Holden for the Guy Haines role,[5][6] but Holden declined. The original version (Side A) is an all-time thriller classic. "[12] Chandler also felt that the original novel's plot was superior to Hitchcock's version, and argued that it should be restored. When Bruno arrives at the amusement park, a carnival worker recognizes him from the night of the murder; he informs the police, who think he has recognized Guy. Strangers on a Train PG 1951, Mystery & thriller, 1h 41m 98% Tomatometer 53 Reviews 92% Audience Score 25,000+ Ratings What to know critics consensus A provocative premise and inventive set. Sir. The kid Dreadful business. And since it is Guy's foot that taps Bruno's under the table, we know Bruno has not engineered the meeting. "When Bruno openly suggests he would like to kill his wife, he merely grins and says 'That's a morbid thought,' but we sense the tension that underlies it. pickup than a chance encounter. inspiration of a very large dog to distract the audience from what he would The only sadistic part was I never got the hundred dollars."[43]. A psychopath forces a tennis star to comply with his theory that two strangers can get away with murder.A psychopath forces a tennis star to comply with his theory that two strangers can get away with murder.A psychopath forces a tennis star to comply with his theory that two strangers can get away with murder. The laying bare of Bruno's hidden nature, along with the great set pieces (head-turning tennis match, disintegrating carousel) and suspense as only Hitchcock can deliver, makes for a first-class trip. compartment, Bruno reveals that he wants his father dead, and suggests a + a trailer. [56] In the movie, "Guy became a decent guy who refuses to carry out his part of the crazed bargain" writes Patrick McGilligan, "to head off the censors. Variety praised it, writing: "Performance-wise, the cast comes through strongly. Hitchcock's even-strained response: "Cut. "[53], Hitchcock continues the interplay of light and dark throughout the film: Guy's bright, light tennis attire, versus "the gothic gloominess of [Bruno's] Arlington mansion";[46] the crosscutting between his game in the sunshine at Forest Hills while Bruno's arm stretches into the dark and debris of the storm drain trying to fish out the cigarette lighter;[54] even a single image where "Walker is photographed in one visually stunning shot as a malignant stain on the purity of the white-marble Jefferson Memorial, as a blot on the order of things. The hero plays a championship tennis match, knowing all the while that the villain is moving deliberately toward the execution of a piece of dirty work which will leave the hero hopelessly incriminated. Guy wants No Highsmith cameo Bruno dreams up a crazy scheme whereby he and Guy exchange murders. Strangers on a Train (1951) Full Cast & Crew See agents for this cast & crew on IMDbPro Directed by Alfred Hitchcock Writing Credits Cast (in credits order) verified as complete Produced by Alfred Hitchcock . This piece of film he then enlarged and projected onto a vast screen, positioning actors around and in front of it so that the effect is one of a mob of bystanders into which plaster horses and passengers are hurled in deadly chaos. on a Train" is not a psychological study, however, but a first-rate Shipping cost, delivery date, and order total (including tax) shown at checkout. Behind the Story contains these featurettes: Strangers on a Train: A Hitchcock Classic (SD; 36:44) is a nice overview with Peter Bogdanovich and several others discussing the importance of the film in the Hitchcock canon; Strangers on a Train: The Victim's P.O.V. To amuse another guest, Bruno playfully demonstrates how to strangle a woman. He knows that Guy is about to divorce his wife, and that he is also in love with Anne, the daughter of a US Senator. stunt man could have been killed; Hitchcock said he would never take such a By month's end, they were back in California. After appearances in his 2 best British films, "The 39 Steps" (1935) and "The Lady Vanishes" (1938) , the train was elevated to star billing along with the 2 male leads in "Strangers on a Train" (1951).Not only does the train move its passengers around, it is the location where one's diabolical "you do my murder, I"ll do yours" plot is hatched and used to seduce the other. The "criss-cross" murder deal in "Strangers on a Train" indeed Where was the tennis match in Strangers on a Train? On a train, wealthy smooth-talking psychopath Bruno Antony recognizes Haines and reveals his idea for a murder scheme: two strangers meet and "swap murders" Bruno suggests he kill Miriam and Guy kill Bruno's hated father. # staring # stalker # alfred hitchcock # strangers on a train # tennis match. "[62] Roger Ebert has called Strangers on a Train a "first-rate thriller" that he considers one of Hitchcock's five best films. Disc2 contains the (slightly longer) 'preview version' of the film,(not greatly different from the 'finished article' but still of interest). Alfred Hitchcock loved trains. Interesting, in this context, is Hitchcock's casting of his own daughter, Is he just lonely? always used the convention that the left side of the screen is for evil and/or The first encounter between Bruno and Guy on the train is longer, and features a more obvious homoerotic flirtation by Bruno; In the scene where Guy sneaks out of his apartment to go to Bruno's house, a shot of him opening a drawer to get the map Bruno sketched is added; The very last scene in the US version, which involves a clergyman, was deleted. Later in life, while still praising Robert Walker's performance as Bruno, she criticized the casting of Ruth Roman as Anne, Hitchcock's decision to turn Guy from an architect into a tennis player, and the fact that Guy does not murder Bruno's father as he does in the novel. [46], This doubling has some precedent in the novel; but more of it was deliberately added by Hitchcock, "dictated in rapid and inspired profusion to Czenzi Ormonde and Barbara Keon during the last days of script preparation. The laying bare of Bruno's hidden nature, along with the great set pieces (head-turning tennis match, disintegrating carousel) and suspense as only Hitchcock can deliver, makes for a first-class trip.
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